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Theme and Variations in C major for Piano
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Vous avez sélectionné:
Theme and Variations in C major for Piano
Partitions à imprimer
26 partitions trouvées
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Theme and Variations in C major for Piano
Theme and Variations in C major for Piano
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Piano seul
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AVANCÉ
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James Mayhew
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Theme and Variations in C majo
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James Mayhew
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.996522 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 7 pages. James Mayhew #6234441. Published...
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Piano Solo - Level 5 - SKU: A0.996522 Composed by James Mayhew. Classical,Contemporary,Romantic Period. Score. 7 pages. James Mayhew #6234441. Published by James Mayhew (A0.996522). This is a set of 8 variations on a theme in C major, which begin as Classical sounding variations on the Mozartian theme, Nos 1 and 2 of which sound quite like short Czerny studies, before a variation of many repeated notes embedded in broken chord figurations, until a frantic ending disrupts the traditional Classical harmony with plenty of chromaticism and a slightly bluesy ending. The next variation is in 12/8 with a lilting feel, while the 6th variations is a C minor one which begins in a stately march feel before merging into freer, slightly jazzier material. Variation 7 returns to C major for a jolly outburst while the finale that is Variation 8 pours cascades of chords and gymnastical passages all over the place (including a black-key octave glissando in the right hand with a white-key gliss in the left at the same time), with an unexpected ending.
$4.99 ≈
4.66€
Ode to Joy - Theme and Variations (Easy Piano)
Ode to Joy - Theme and Variations (Easy Piano)
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Piano Facile
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DÉBUTANT
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Classique
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Ludwig van Beethoven
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Amanda Dills
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Ode to Joy - Theme and Variati
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Amanda Dills
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.829765 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Christmas,Easter,Romantic Period,Sacred,Standards. Sco...
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Easy Piano - Level 1 - SKU: A0.829765 Composed by Ludwig van Beethoven. Arranged by Amanda Dills. Christmas,Easter,Romantic Period,Sacred,Standards. Score. 4 pages. Amanda Dills #5287557. Published by Amanda Dills (A0.829765). One of the most famous musical themes in the world has been arranged for easy piano, arranged here in a series of 4 short pieces. The theme and three variations can each be played or taught separately, or in any combination, for a wide variety of settings or players. 1. THEME - In middle C position, the theme is simple, straightforward and fun for beginning players.2. VARIATION 1 (Carousel) - This variation is in C position and 3/4 time, with opportunities for phrasing and finger crossing.3. VARIATION 2 (Rainy Day) - This variation is in A minor, with the melody in the left hand - great for expanding note reading and hand independence.4. VARIATION 3 (Finale) - The final variation is in D Major, and played very quickly and rhythmically, with a fun octave jump a for both hands at the end.
$1.99 ≈
1.86€
Dancla - Air varie No. 5 in C Major - Intermediate
Dancla - Air varie No. 5 in C Major - Intermediate
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Alto, Piano
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INTERMÉDIAIRE
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Charles Dancla
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Piacere Music Sheets
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Dancla - Air varie No. 5 in C
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Piacere Music Sheets
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.1150234 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. S...
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Piano,Viola - Level 3 - SKU: A0.1150234 Composed by Charles Dancla. Arranged by Piacere Music Sheets. Chamber,Instructional,Romantic Period,Standards. Score and part. 15 pages. Piacere Music Sheets #750409. Published by Piacere Music Sheets (A0.1150234). Opus/Catalog Number: Serie 1, Op.89, No. 5 Key/Tone: C Major Movements/Sections: Moderato - Cantabile (var 1 - var 2) Year/Date of Composition: 1858 Difficulty: Grade 7/12 (Intermediate) Obs.: This piece is part of the Six petits Airs variés pour le violon avec accompagnement de piano sur des thèmes italiens, and it is a set of four challenging variations on a theme by Weigl. The original score is for violin and piano, in the key of G Major. This is an arrangement for viola and piano, set in the key of C Major. It features the following technical challenges for the violist: Sautillé bowing - Ricochet - Three-note chords - Left-hand pizzicato - Martelé Included: Full score and separated parts for each instrument.
$10.95 ≈
10.22€
Sonata in Symmetry 2nd Mvnt: Andante in C Major
Sonata in Symmetry 2nd Mvnt: Andante in C Major
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Piano seul
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AVANCÉ
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Michael Bomier
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Sonata in Symmetry 2nd Mvnt: A
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.862571 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 10 pages. Michael Butkus-Bomier #43350...
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Piano Solo - Level 5 - SKU: A0.862571 Composed by Michael Bomier. 20th Century,Contemporary,Instructional. Score. 10 pages. Michael Butkus-Bomier #433507. Published by Michael Butkus-Bomier (A0.862571). 2015 Piano Contest The 2nd movement of the Sonata in Symmetry uses a slow-moving melody in double octaves, accompanied by contrary-motion, symmetrical and topographically equivalent arpeggios. The harmony varies from serene to splashing, clashing colours. Pedaling is indicated through, rather than having a general application, so the harmony can be kept under control. A rondo form, with a recurring theme and variations. Duration is about 8 1/2 mins. Advanced level, easier at slightly slower tempo. MP3 MIDI audio.
$3.50 ≈
3.27€
Melody and Variations for flute and piano
Melody and Variations for flute and piano
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Flûte traversière et Piano
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AVANCÉ
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James Mayhew
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Melody and Variations for flut
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James Mayhew
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew ...
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Flute,Piano - Level 5 - SKU: A0.996520 Composed by James Mayhew. Concert,Contemporary,Romantic Period,Standards. Score and part. 16 pages. James Mayhew #5857157. Published by James Mayhew (A0.996520). *Includes the flute part on its own at the end of the file*This is a set of theme and variations in C minor (although it ends in C major) for flute and piano. The theme is a simple, melancholy melody with the first three variations on it being in C minor (and it is worth noting that the piano accompaniment is just chords for these first three variations), the fourth variation in Eb major while the fifth is the finale which includes numerous diversions from the theme and many contrasting passages of rich material, although the theme does appear in a fugato section and in another short, jig-like variation section, before it is played a couple of times near the end in the form of triumphant returns. Many passages are of an advanced level, particularly towards the end.
$4.99 ≈
4.66€
Passacaglia in C (piano duet)
Passacaglia in C (piano duet)
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1 Piano, 4 mains
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely ...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99 ≈
9.32€
Movement IV from Piano Sonata No. 1 in A minor
Movement IV from Piano Sonata No. 1 in A minor
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Piano seul
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AVANCÉ
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Steve Shade
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Movement IV from Piano Sonata
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Steve Shade
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.834354 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 28 pages. Steve Shade #4639523. Publi...
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Piano Solo - Level 5 - SKU: A0.834354 Composed by Steve Shade. 20th Century,Concert,Contemporary,Standards. Score. 28 pages. Steve Shade #4639523. Published by Steve Shade (A0.834354). This is the fourth and final movement to my Piano Sonata No. 1 in A minor. This piece is written in rondo form and features a dramatic opening that propels the piece to the restless A section. A lyrical B section contrasts the intensity of the A section, but that serenity is cut short as the section has an aggressive closing theme that drives back to the A section. An enigmatic and omenous C section is introduced, experimenting with different themes and keys before concluding with a heroic theme in C# major. The A and B sections return, this time with variations, and the piece concludes with a furious coda that brings the sonata to a dramatic close. This piece is written in a neo-classical/-romantic style and would be a great stand-alone piece in a recital.This piece is for advanced pianist, and contains 28 pages of music. .
$14.99 ≈
13.99€
Sonata in F and C, for Solo Piano
Sonata in F and C, for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAPâ
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Mike Strand, aka Michael M
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Sonata in F and C, for Solo Pi
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Michael M. Strand
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. P...
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Piano Solo - Level 4 - SKU: A0.970714 Composed by Mike Strand, aka Michael M. Strand. Contemporary,World. Score. 37 pages. Michael M. Strand #4829865. Published by Michael M. Strand (A0.970714). By Mike Strand, ASCAP This sonata is in the style of Ludwig von Beethoven, whom this composer has studied and greatly admires.The audio sample is taken from Movement 3: The end of variation 2, all of variation 3 (rock), and the beginning of variation 4 (rag). Movement 1 This is the result of my experimenting with the first movement of Beethoven’s piano sonata no. 23 op. 57. The Beethoven sonata’s overarching tonality based on F minor evokes a mood of darkness and despair. I used the time signature 4-4 instead of Beethoven’s 12-8, and my sonata introduces a new set of themes and motifs with tonality F major. These modifications posed interesting problems in figuration and modulation and changed the mood of the piece. Movement 2 This is a slow movement that might be characterized as minimalistic. The player should accentuate the right-hand octaves corresponding to the gradually unfolding melody. Movement 3 This is a theme with five variations, among which are rock, rag, and swing.
$5.00 ≈
4.67€
My First Mozart
My First Mozart
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Piano Facile
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FACILE
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Classique
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Wolfgang Amadeus Mozart
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My First Mozart
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - Easiest Piano Works by W.A. Mozart. Composed by Wolfgang Amadeus Mozart (1756-1791). This edition: Sheet music. Wunde...
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Piano - easy to intermediate - Easiest Piano Works by W.A. Mozart. Composed by Wolfgang Amadeus Mozart (1756-1791). This edition: Sheet music. Wunderkind, Komponist, Anfanger. Easy Composer Series. Downloadable. Schott Music - Digital #Q24584. Published by Schott Music - Digital
German - English.
Even Mozart had to learn how to play the piano. This collection of easy works includes pieces composed by both young Mozart and by his father, for his piano lessons. Including pieces from the volume Notebook for Wolfgang alongside popular pieces by Mozart such as Ah vous dirai-je Maman (variations) and themes from Sonata in A major KV 331 and Sonata in C major KV 545. All pieces can be played with or without pedal.
$11.99 ≈
11.19€
Wedding Classics Refreshed, Book 2: Processionals and Recessionals (a Collection of 20 Piano Solos)
Wedding Classics Refreshed, Book 2: Processionals and Recessionals (a Collection of 20 Piano Solos)
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Piano seul
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INTERMÉDIAIRE
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Mariage/Ballade
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Mariage/Ballade
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Various
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Wedding Classics Refreshed, Bo
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Baroque Period, Christian, Wedding. Sheet Music Single. 62 pages. Publis...
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Composed by Various. Arranged by Sharon Wilson. Romantic Period, Classical Period, Baroque Period, Christian, Wedding. Sheet Music Single. 62 pages. Published by Sharon Wilson
This collection of intermediate piano solos includes 20 arrangements of favorite classical pieces frequently used for weddings. All the songs in this collection are well-suited for processionals and recessionals of the ceremony participants (bride, groom, bridesmaids, groomsmen, parents/family, flower girl, Bible boy, ring bearer, etc.). Several of these songs can also be used as part of the prelude, as interludes during candle-lighting, or as background music for a reception.
These arrangements were created to make challenging classical music more accessible for the intermediate player or easier to sight-read by more advanced players (comes in handy when asked to perform on short notice). Another feature of these arrangements is they are consistent at the intermediate to advanced-intermediate skill level throughout each piece. Many have been simplified and only include excerpts from the longer original movements. Other simplified characteristics include easier key signatures, timings, and fingerings and some melodies were modified to create a more contemporary sound.
Each of the 20 arrangements is also available separately with accompanying preview pages and audio samples.
Titles in this collection include:
Air from ?The Water Music? (George Frideric Handel)
Arrival of the Queen of Sheba from ?Solomon? (George Frideric Handel)
Bridal Chorus from ?Lohengrin? (Richard Wagner)
Clair de Lune from ?Suite Bergamasque? (Claude Debussy)
Fanfare (Jacques-Nicolas Lemmens)
F?r Elise (Ludwig van Beethoven)
Grand Processional from ?Symphony No. 1? (Johannes Brahms)
Hornpipe with Bourr?e from ?The Water Music? (George Frideric Handel)
Jesu, Joy of Man?s Desiring (Johann Sebastian Bach)
Largo from ?Xerxes? (George Frideric Handel)
Lascia Ch?io Pianga from ?Rinaldo? (George Frideric Handel)
Prelude No. 1 in C Major (Johann Sebastian Bach)
Rondeau from ?Theme from Masterpiece Theater? (Jean Joseph Mouret)
Serenade from ?Swan Song? (Franz Schubert)
Sleepers, Awake from ?Cantata No. 140? (Johann Sebastian Bach)
Spring from ?The Four Seasons? (Antonio Vivaldi)
St. Anthony Chorale from ?Variations on a Theme of Haydn? (Johannes Brahms)
Trumpet Tune (Jeremiah Clarke)
Trumpet Voluntary (Jeremiah Clarke)
Wedding March from ?A Midsummer Night?s Dream? (Felix Mendelssohn)
$18.99 ≈
17.72€
Heidenröslein: Variations on a Theme by Franz Schubert
Heidenröslein: Variations on a Theme by Franz Schubert
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroq...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00 ≈
18.67€
Total Eclipse - voice and piano-high voice in Em
Total Eclipse - voice and piano-high voice in Em
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Piano, Voix
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FACILE
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Classique
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Phil Beaman
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Total Eclipse - voice and pian
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1361417 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945878. Published by Phil...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1361417 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945878. Published by Phil Beaman (A0.1361417). Total Eclipse is an Art Song. I have used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern. The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for recital. It could even be used as a sing-along for the celebration of an actual eclipse! (Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) 2 pages, 1:50 minutesVocal Range - 1 octave, transposed for several voice ranges on this site,High Voice, F-FHigh Voice, E-EMedium Voice D-DMedium Voice C-CLow Voice B-Balso an SATB choral version on this site.
$4.99 ≈
4.66€
Total Eclipse - voice and piano-low voice in Bm
Total Eclipse - voice and piano-low voice in Bm
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Piano, Voix
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FACILE
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Classique
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Phil Beaman
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Total Eclipse - voice and pian
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1361419 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945880. Published by Phil...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1361419 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945880. Published by Phil Beaman (A0.1361419). Total Eclipse is an Art Song. I have used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern. The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for recital. It could even be used as a sing-along for the celebration of an actual eclipse! (Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) 2 pages, 1:50 minutesVocal Range - 1 octave, transposed for several voice ranges on this site,High Voice, F-FHigh Voice, E-EMedium Voice D-DMedium Voice C-CLow Voice B-Balso an SATB choral version on this site.
$4.99 ≈
4.66€
Total Eclipse - voice and piano-medium voice in Dm
Total Eclipse - voice and piano-medium voice in Dm
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Piano, Voix
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FACILE
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Classique
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Phil Beaman
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Total Eclipse - voice and pian
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1361421 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945882. Published by Phil...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1361421 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945882. Published by Phil Beaman (A0.1361421). Total Eclipse is an Art Song. I have used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern. The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for recital. It could even be used as a sing-along for the celebration of an actual eclipse! (Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) 2 pages, 1:50 minutesVocal Range - 1 octave, transposed for several voice ranges on this site,High Voice, F-FHigh Voice, E-EMedium Voice D-DMedium Voice C-CLow Voice B-Balso an SATB choral version on this site.
$4.99 ≈
4.66€
Total Eclipse - voice and piano-high voice in Fm
Total Eclipse - voice and piano-high voice in Fm
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Piano, Voix
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FACILE
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Classique
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Phil Beaman
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Total Eclipse - voice and pian
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Phil Beaman
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1361418 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945879. Published by Phil...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1361418 Composed by Phil Beaman. Classical,Romantic Period. Score. 2 pages. Phil Beaman #945879. Published by Phil Beaman (A0.1361418). Total Eclipse is an Art Song. I have used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern. The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for recital. It could even be used as a sing-along for the celebration of an actual eclipse! (Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) 2 pages, 1:50 minutesVocal Range - 1 octave, transposed for several voice ranges on this site,High Voice, F-FHigh Voice, E-EMedium Voice D-DMedium Voice C-CLow Voice B-Balso an SATB choral version on this site.
$4.99 ≈
4.66€
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
Intermediate Music for Four, Volume 1 Part 2 Clarinet or Trumpet in Bb 72123DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Sta...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529976 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976). This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).
$18.50 ≈
17.27€
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standard...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.530438 Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #3602199. Published by Last Resort Music Publishing (A0.530438). Intermediate Music for Four, Volume 1 Part 3 for Clarinet or Trumpet in Bb - #72133Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)
$18.50 ≈
17.27€
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
Intermediate Music for Four, Volume 2, Part 4 - Cello or Bassoon 72241
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romanti...
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Small Ensemble Bassoon,Cello - Level 4 - SKU: A0.796251 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Traditional. Score and parts. 43 pages. Last Resort Music Publishing #403432. Published by Last Resort Music Publishing (A0.796251). Part 4 Cello or Bassoon - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) www.lastresortmusic.com.
$20.00 ≈
18.67€
Intermediate Music for Four, Volume 2, Part 2 - Alto Saxophone in Eb 72125DD
Intermediate Music for Four, Volume 2, Part 2 - Alto Saxophone in Eb 72125DD
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529972 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Roman...
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Woodwind Ensemble,Woodwind Quartet - Level 3 - SKU: A0.529972 Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #1915519. Published by Last Resort Music Publishing (A0.529972). Part 2 Eb Alto Saxophone - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)www.lastresortmusic.com.
$20.00 ≈
18.67€
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134
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Various
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Daniel Kelley
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Intermediate Music for Four, V
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Last Resort Music Publishing
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SheetMusicPlus
B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Compos...
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B-Flat Clarinet,Baritone Saxophone,Cello,Flute,Oboe/English Horn,Piano,Soprano Saxophone,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1255173 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Instructional,Standards. 43 pages. Last Resort Music Publishing #848738. Published by Last Resort Music Publishing (A0.1255173). Intermediate Music for Four, Volume 1 Part 3 for French Horn or English Horn - #72134Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately.Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of ContentsTurkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing
$20.00 ≈
18.67€
Passacaglia in C (Organ)
Passacaglia in C (Organ)
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Orgue
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AVANCÉ
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Publ...
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Organ - Level 5 - SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99 ≈
7.46€
Concertino in C
Concertino in C
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jean Baptiste Vanhal
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Tabitha Kierszka
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Concertino in C
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Tabitha Kierszka
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.901017 Composed by Jean Baptiste Vanhal. Arranged by Tabitha Kierszka. Classical,Concert. Score and parts. 32 page...
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Chamber Orchestra - Level 4 - SKU: A0.901017 Composed by Jean Baptiste Vanhal. Arranged by Tabitha Kierszka. Classical,Concert. Score and parts. 32 pages. Tabitha Kierszka #6566841. Published by Tabitha Kierszka (A0.901017). This piano concerto (concertino) by Jean Baptiste Vanhal (1739-1813) is a very charming and lively 'first concerto' for late intermediate pianists as the technical difficulty of the solo part is more or less that of the Mozart Sonata in C (KV545). The key is C major. It has three movements, Allegro moderato, Andante en Finale, which is a theme with 3 variations.The 'orchestra' consists of a viola and a violoncello part. A great student concerto, or a lively piece of chamber music. Total 32 pages, the complete score is provided as well as separate parts for the piano, viola and cello parts. This edition is created from the manuscript version of the piece. The composer provided very few performance markings, all markings in the score were given by the composer.
$5.00 ≈
4.67€
Concertino for Flute and Strings
Concertino for Flute and Strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Concertino for Flute and Strin
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Dacker Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Publ...
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Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00 ≈
42.00€
Prelude
Prelude
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Piano seul
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AVANCÉ
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Nikolay Artcibouchev
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Yury Chugunov and Zellev
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Prelude
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grung...
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Piano Solo - Level 5 - SKU: A0.1239146 Composed by Nikolay Artcibouchev. Arranged by Yury Chugunov and Zellev. 20th Century,Classical,Contemporary,Grunge,Lent. Score. 3 pages. Zellev Music #834550. Published by Zellev Music (A0.1239146). Key Signature: C♯ minorTime Signature: 12/8Tempo: Moderato assai (very moderately (126))Difficulty: AdvancedNikolai Vasilievich Artsybushev (Russian: Николай Васильевич Арцыбушев; 7 March [O.S. 23 February] 1858 – 15 April 1937) was a Russian jurist, music publisher and promoter, and minor composer. His name is sometimes seen as Artsibushev, Artsybuchev, Artzibushev, Artzybushev, Artchibousheff, Arcybusev, etc.Artsybushev was born at Tsarskoye Selo in 1858. His legal studies were at the Imperial School of Jurisprudence in Saint Petersburg, after which he practised in St Petersburg as an attorney. He also dabbled in music composition, and Nikolai Rimsky-Korsakov gave him private lessons in music theory after Mily Balakirev said his works showed some promise.He also became acquainted with the music publisher Mitrofan Belyayev and participated in his regular weekly gatherings called Fridays (Vendredis). To mark these occasions, a group of 10 composers including Artsybushev collaborated on a 16-part suite for string quartet, called Les Vendredis. His contribution was a Serenade in A major. He also collaborated with others on Variations on a Russian Theme, in versions for both string quartet and orchestra.He was a member of the St Petersburg City Council. After Belyayev's death in 1903 he became chairman of the board of the Belyayev publishing house, in which capacity he had significant dealings with Alexander Scriabin. From 1908 to 1917 he was President of his city's branch of the Russian Musical Society, and later succeeded Rimsky-Korsakov as President of the Board of Trustees for the Society for the Encouragement of Russian Musicians.In 1920 he moved to Paris and became a director of the Belyayev publishing house there. He died in Paris in 1937, aged 79.His works other than those mentioned above are now little known, but include:-Polka caractéristique, Op. 4, orchestra-Valse-Fantaisie, Op. 9, orchestra-Scherzo in C, orchestra (this had its premiere at the same concert at which Rimsky-Korsakov's-Capriccio Espagnol was premiered)-Piano pieces-Orchestral and other arrangements of works by:--Borodin--Glazunov (Suite for string quartet, Op. 35)--Mussorgsky (Night on Bald Mountain, for piano 4-hands;world premiere recording) and--Rimsky-Korsakov (Sinfonietta on Russian Themes, Op. 31).[https://en.wikipedia.org/wiki/Nikolai_Artsybushev].
$5.00 ≈
4.67€
Total Eclipse - SATB choir and piano
Total Eclipse - SATB choir and piano
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Chorale SATB
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INTERMÉDIAIRE
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Phil Beaman
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Sop - middle C to C
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Total Eclipse - SATB choir and
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Phil Beaman
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 p...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1373417 Composed by Phil Beaman. Classical,Contemporary,Contest,Festival,Pop,Romantic Period. 10 pages. Phil Beaman #957783. Published by Phil Beaman (A0.1373417). I originally wrote Total Eclipse as an expressive Art Song for solo voice and piano. I used several lines of poetry from Newburgh Hamilton (1741) and set them to unique music that is a fusion of Classical, Romantic, and Modern, with a touch of Pop. The music expressively drifts from major to minor to modal every few measures, inspired by the themes of darkness and light. When I adapted it for SATB I filled out the already rich harmony and added ethereal 'oo's under some of the melody. In a few brief measures, at different places, SAB each will have a divisi line where it splits to 2 parts. (The texture is never thicker than 5 parts at once.) This approachable piece of music is a good introduction for singers to the interpretation of an Art Song and is a dramatic performance piece for concert. And perfect for the upcoming April 8 total eclipse!(Haydn also used variations of this text to create several Recitatives and an Aria for his oratorio Samson.) 10 pages, 2:00 minutesVocal Ranges: all 1 octave; Sop - middle C to C; Alto - low G to G; Tenor - D to C; Bass - G to Gattached recording is of the original solo voice version which SATB is closely based on. Be the first choir to record this and send me a link which I will post. plbeaman@gmail.comalso available on this site as a vocal solo in several keys, and as a Unison Choral hymn
$3.50 ≈
3.27€
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Theme and Variations in C major for Piano
